Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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Caravaggio The Annunciation oil painting


The Annunciation
1609 Mus??e des Beaux-Arts, Nancy
Painting ID::  328 		Caravaggio
The Annunciation
1609 Mus??e des Beaux-Arts, Nancy
   
   
     
Caravaggio The Nativity with Saints Francis and Lawrence oil painting


The Nativity with Saints Francis and Lawrence
1609 Formerly San Lorenzo, Palermo (lost)
Painting ID::  329 		Caravaggio
The Nativity with Saints Francis and Lawrence
1609 Formerly San Lorenzo, Palermo (lost)
   
   
     
Caravaggio The Beheading of the Baptist oil painting


The Beheading of the Baptist
1608 St.John Museum, La Valetta
Painting ID::  330 		Caravaggio
The Beheading of the Baptist
1608 St.John Museum, La Valetta
   
   
     
Caravaggio Sick Bacchus g oil painting


Sick Bacchus g
c. 1593 Oil on canvas, 67 x 53 cm Galleria Borghese, Rome
Painting ID::  5713 		Caravaggio
Sick Bacchus g
c. 1593 Oil on canvas, 67 x 53 cm Galleria Borghese, Rome
   
   
     
Caravaggio Boy Peeling a Fruit df oil painting


Boy Peeling a Fruit df
c. 1593 Oil on canvas, 75,5 x 64,4 cm Longhi Collection, Rome
Painting ID::  5714 		Caravaggio
Boy Peeling a Fruit df
c. 1593 Oil on canvas, 75,5 x 64,4 cm Longhi Collection, Rome
   
   
     
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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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